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The thing itself...

We love the brash and brazen Gary Winogrand in this lecture at Rice University. Winogrand has a way of simplifying complex ideas about photography and the camera that are still valid with todays modern technology.

Craft, AOBlogAndrew JensenSeptember 25, 2017Comment
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No Matter What...

AOBlogAndrew JensenSeptember 25, 2017
Ebony Wood Hot Shoe Cover and 11mm Convex Soft Release Button on a Fuji Xpro 1 mirrorless camera

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If you have a camera outfitted with an AO soft release button, hot shoe cover, or both, share your feedback with me. I would really appreciate.

 
 

“as you are by the world around you, be inspired by the tools that you use to share it’s beauty.”

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“The camera is an instrument that teaches people how to see without a camera.” — Dorothea Lange This XPro1, fitted with a Nature Is My Home-engraved chakte viga hot shoe cover and matching soft release, isn’t about adding noi
“You don’t take a photograph, you make it.” — Ansel Adams There’s a quiet intention in the way you pick up a camera. How it rests in your hand. How your index finger finds its place. How your eye begins to slow down and
“Photography takes an instant out of time, altering life by holding it still.” — Dorothea Lange A walk down the sidewalk. A child moving just ahead. An ordinary evening that will never exist in quite the same way again. These are
The next photograph you make could change the way you see your own life. “Which of my photographs is my favorite? The one I’m going to take tomorrow.” — Imogen Cunningham Maybe that’s what keeps us returning to the cam
“There is one thing the photograph must contain, the humanity of the moment.” — Robert Frank Maybe that’s why certain tools stay in our hands for years. Not for specifications. Not for status. But because they invite attent
“Great photography is about depth of feeling, not depth of field.” — Peter Adams There’s a reason certain tools stay within reach long after newer ones arrive. Not because they are faster. Not because they are flawless. Bec
“It is an illusion that photos are made with the camera… they are made with the eye, heart and head.” — Henri Cartier-Bresson The best photographs usually begin long before the shutter is pressed. A camera only follows what
“I really believe there are things nobody would see if I didn’t photograph them.” — Diane Arbus That may be the real reason we carry cameras. Not for perfection. Not for algorithms. But for the quiet responsibility of notici
“A camera is a save button for the mind’s eye.” — Roger Kingston Maybe that’s why we keep carrying them. To hold onto the light that slipped across the table for half a second. To remember the silence of a room. To pre
“Photography for me is not looking, it’s feeling.” — Don McCullin Maybe that’s why certain cameras stay with us long after newer ones arrive. This Fuji X-Pro1, outfitted with a Dragonfly-engraved bloodwood hot shoe cov
“A photograph is usually looked at — seldom looked into.” — Ansel Adams Most images disappear as quickly as they arrive. But every so often, a photograph holds you still. It asks you to linger. To notice texture, shadow, sil
“The eye should learn to listen before it looks.” — Robert Frank There’s something about carrying a camera slowly that changes what you notice. This Fuji X-Pro3, fitted with a Walking Bear–engraved ebony hot shoe cover
“The camera is an excuse to be someplace you otherwise don’t belong.” — Susan Meiselas A side street. A quiet diner. An unfamiliar trail. A moment you would’ve walked past if the camera hadn’t slowed you down. Ph
“To photograph is to put on the same line of sight the head, the eye and the heart.” — Henri Cartier-Bresson That alignment is rare now. We move fast. We scroll fast. We look without really seeing. But the camera still asks somet
“All photographs are accurate. None of them is the truth.” — Richard Avedon That tension is where photography lives. Somewhere between what is and what you choose to see. It’s easy to forget that when the camera becomes rout
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