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Rya Threaded Soft Release Button

$25.00

Ebony Wood Hot Shoe Cover and 11mm Convex Soft Release Button on a Fuji Xpro 1 mirrorless camera — **SHARE YOUR SETUP**

If you have a camera outfitted with an AO soft release button, hot shoe cover, or both, share your feedback with me. I would really appreciate.

“as you are by the world around you, be inspired by the tools that you use to share it’s beauty.”

join the tribe

“Great photography is about depth of feeling, not depth of field.” — Peter Adams

There’s a reason certain tools stay within reach long after newer ones arrive.

Not because they are faster.
Not because they are flawless.

Bec

“It is an illusion that photos are made with the camera… they are made with the eye, heart and head.” — Henri Cartier-Bresson

The best photographs usually begin long before the shutter is pressed.

A camera only follows what

“I really believe there are things nobody would see if I didn’t photograph them.” — Diane Arbus

That may be the real reason we carry cameras.

Not for perfection.
Not for algorithms.
But for the quiet responsibility of notici

“A camera is a save button for the mind’s eye.” — Roger Kingston

Maybe that’s why we keep carrying them.

To hold onto the light that slipped across the table for half a second.
To remember the silence of a room.
To pre

“Photography for me is not looking, it’s feeling.” — Don McCullin

Maybe that’s why certain cameras stay with us long after newer ones arrive.

This Fuji X-Pro1, outfitted with a Dragonfly-engraved bloodwood hot shoe cov

“A photograph is usually looked at — seldom looked into.” — Ansel Adams

Most images disappear as quickly as they arrive.

But every so often, a photograph holds you still.
It asks you to linger.
To notice texture, shadow, sil

“The eye should learn to listen before it looks.” — Robert Frank

There’s something about carrying a camera slowly that changes what you notice.

This Fuji X-Pro3, fitted with a Walking Bear–engraved ebony hot shoe cover

“The camera is an excuse to be someplace you otherwise don’t belong.” — Susan Meiselas

A side street.
A quiet diner.
An unfamiliar trail.
A moment you would’ve walked past if the camera hadn’t slowed you down.

Ph

“To photograph is to put on the same line of sight the head, the eye and the heart.” — Henri Cartier-Bresson

That alignment is rare now.

We move fast. We scroll fast. We look without really seeing.

But the camera still asks somet

“All photographs are accurate. None of them is the truth.” — Richard Avedon

That tension is where photography lives.
Somewhere between what is and what you choose to see.

It’s easy to forget that when the camera becomes rout

“The camera is the best instrument for revealing the grandeur of the landscape.” — Carleton Watkins

Watkins carried heavy glass plates into places most people would never go—just to show what was already there.

That’s

“Photography is more than a medium for factual communication of ideas. It is a creative art.” — Ansel Adams

That line draws a boundary.

Between recording what’s there…
and shaping what it means.

The difference isn&rs

“The camera should be used as an instrument of exploration and expression.” — Cedric Wright

Photography was never meant to be passive.

It’s an active way of moving through the world—
testing, noticing, refining.
Not ju

“The photograph, as we know it today, is the result of a long series of experiments and discoveries.” — Beaumont Newhall

Nothing about this is accidental.
Not the light. Not the framing. Not even the way it feels in your hand.

Pho

“The best pictures are the ones that make you feel something.” — Steve McCurry

Not everything worth photographing is loud.
Some of it sits quietly, waiting for you to notice.

That’s where the work lives.

This Canon Canonet

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